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and several others posted up in front of a mixing board with the caption, “And we back! #Detox21.” At the time, Aftermath affiliate/producer Dem Jointz danged the nearly mythical Detox album in fans’ faces with an Instagram post. Dre suffered a brain aneurysm in January amid his divorce from Nicole Young but was back in the studio immediately after he was discharged. Westmore album from Snoop Dogg, Too $hort, Ice Cube and E-40 will be arriving “soon.” It also gave a nod to the February 2022 Super Bowl LVI Pepsi halftime show featuring Dr. The post also indicated Kendrick Lamar’s follow-up to 2017’s DAMN., Xzibit’s long-awaited King Maker project and a Mt. THOUGHT I GIVE YOU WEST COAST HATTERS A GLOBLE WARNING THE ROOF IS ON FIRE. MF LOL SHOW TIME. DONT QUOTE ME IT JUST SOUND SO GOOD TO ME LOL.”
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“YIKES. JUST HIT THE PRESS FROM TWITTER POST. “P.S.A FROM twitter hmm,” he wrote in the caption. On Tuesday (October 12), Battlecat shared a meme to his account clearly teasing a potential timeline for the “Aftermath Takeover,” which will supposedly begin with a new Snoop Dogg album on November 12 and the Dr. But according to an Instagram post from DJ Battlecat, the Beats By Dre mogul will deliver his highly anticipated solo album and follow-up to 2015’s Compton before 2021 comes to a close. Dre headphones in the late 2000s-and the subsequent sale of the Beats brand to Apple-Dre put himself in the rarified territory of JAY-Z and Kanye West: not just a hip-hop artist, but a businessperson, hustling, working, and taking his cut.West Coast Hip Hop fans have been thirsting for a new Dr. Not only did he keep the music coming at his own pace (1999’s 2001, 2015’s Compton), he helped build careers for some of the most significant rappers of their generations, including 50 Cent, Eminem, and Kendrick Lamar. Listening to The Chronic could make you feel angrier, but it could make you feel tougher, too.īy the time he was 30, Dre was already an elder statesman. By 1992’s The Chronic (and Snoop Dogg’s Doggystyle), he’d moved on to replicating the funk he loved with live instrumentation, drawing a line from ’70s Black American music to a present where its messages of resilience and good times in the face of everything were especially resonant to a country shaken by race riots and sustained indifference toward its Black, urban populations.
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Where early rap was built on breaks-records excerpted and looped by a DJ in real time-Dre’s production on N.W.A.’s Straight Outta Compton (alongside other mid- and late-’80s work by Eric B., Rick Rubin, The Bomb Squad, and others) brought about the era of the sampler, leading to tracks that were denser, harder, and more reference-heavy. Not only did Dre (born Andre Young in Compton in 1965) help legitimize hip-hop in the cultural imagination, he changed the vocabulary of the music itself. But when it came to the kind of institutional respect that something like a Grammy confers, rap was still considered an insurrectionary fad: exciting, controversial, and above all the kind of thing that mainstream America seemed to hope would go away. 1 album on the Billboard charts (1991’s Efil4zaggin). Not that rap wasn’t popular: A few years earlier, N.W.A.-of which Dre was a key part-had been the first hardcore rap group to have a No. Dre got his first Grammy in 1994 (Best Rap Solo Performance, “Let Me Ride”), the idea of mainstream audiences taking rap seriously was still pretty new.